Television

Religion in a Sitcom

July 29, 2006
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Religion in a Sitcom

Those who complain that Hollywood seldom depicts religion as a normal and good part of films’ and TV’s central characters’ lives are correct that the incidence is much lower in the media than in society as a whole. This is another reminder that it’s important to be careful what you pray for. It’s Always Sunny in Philadelphia, which runs Thursday nights on the FX Channel at 10 EDT and is available on ITunes, follows the lives of four post-college slackers who run an Irish bar in the title city, and religion, specifically Christianity and more specifically Catholicism, keeps popping up in the characters’ lives. The overall tone of the show is fairly spicy, and the humor is both funny and often deliberately edgy, but the treatment of religion is pretty realistic given the characters’ situation. It is also both irreverent and basically positive. The religion the principal characters were taught as a child in working-class Philly often comes up in conversation as they discuss, for example, some of their more shameless schemes. In addition, situations and characters with religious significance arrive on a regular basis. Last Thursday such a character arrived in the form of a priest who had served

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Miami Vice Blues

July 29, 2006
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Miami Vice Blues

The way to make a great genre film is not to try to "transcend the genre," as is the temptation for so many ambitious filmmakers. On the contrary, the way to make a great genre film is to make a genre film and just bring great creativity and insight to it. That’s what makes Howard Hawks’s Rio Bravo one of the greatest Westerns of all. Hawks’s film does what Westerns do, but it does it better than the others. Hawks doesn’t try to add extra significance to the story, but it takes on great meaning because of the superb plotting, excellent characterizations, and surehanded visual presentation. The same is true of Hitchcock’s best thrillers, Ernst Lubitsch’s greatest comedies, and Frank Borzage’s most moving dramas. They’re great because each embodies its form at its best. Would that Michael Mann had been content to do likewise with his film version of his 1980s cop show Miami Vice, now playing in theaters. In great contrast to the TV show, which was both serious and fun, the film version is extremely serious, and not fun at all. In fact, it’s really rather boring.  Most of the film is shot in near-darkness, as is the

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The Same Thing We Do with Every DVD Set: Try to Take Over the World!

July 29, 2006
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The Same Thing We Do with Every DVD Set: Try to Take Over the World!

Volume 1 of the satirical animated TV series Pinky and the Brain is now available on DVD.   The program, which first ran in syndication during the mid to late 1990s, follows the adventures of two escaped lab mice, one a genius and the other insane, who are on a mission to take over the world, planned and led by the genius one, the Brain. The show was a spinoff of the Steven  Spielberg-produced Animaniacs, and was a good deal better than its parent program. What made Pinky and the Brain so effective was its superior writing. The program was full of satire and parodies, and the scripts were  top-notch.  The show’s puckish mockery of schemes to run other people’s lives gives it a nice, understated political and social relevance, and the absurdity of Brain’s schemes for doing so points up the emptiness of his ambitions. Instead of achieving success by doing some good for people (or at least for other lab mice), Brain simply craves power. In this, Brain is a part of ourselves exaggerated to highly comic proportions. Pinky and the Brain is a funny show that actually manages to remind us of some basic truths about ourselves.

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Blonde Alert!

July 28, 2006
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Blonde Alert!

Tonight on Turner Classic Movies: two excellent movies with the word Blonde in their titles: at 8 p.m. EDT, Raoul Walsh’s delightful 1941 comedy The Strawberry Blonde stars Rita Hayworth as the alluring title character in Gay ’90s New York City, and features excellent performances by Jimmy Cagney and Olivia DeHavilland; and at 10 p.m EDT, Gentlemen Prefer Blondes, Howard Hawks’s delightfully cynical film of Anita Loos’s delightfully cynical novel. The Strawberry Blonde is a charming, heartfelt comedy from the superb action director Walsh. In Gentlemen Prefer Blondes, Marilyn Monroe and Jane Russell star as two golddiggers on the make in Paris, and the film includes some excellent scenes of Hawks’s characteristic farcical comedy. It also has a great performance by Charles Coburn as wealthy marital target "Piggy." Both of these are must-sees for any serious film enthusiast. These two films are followed at midnight EDT by Andy Hardy’s Blonde Trouble (1944), one of the later and less-effective entries in the highly appealing "Andy Hardy" series of films MGM produced largely in the late 1930s and early ’40s. I’d recommend that those who have yet to see an Andy Hardy film skip this one and wait for TCM to show

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Hex Appeal

July 28, 2006
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Hex Appeal

I’m ambivalent about the BBC-TV series Hex, which runs on Thurday nights at 10 p.m. EDT on BBC America. Yes, it can be seen as a ripoff of Buffy the Vampire Slayer, as it is set at an elite English boarding school and deals with spiritual warfare surrounding and involving the student body of oversexed teens and their clueless and/or evil overseers. And yes, the premise of the program  is based on a mixture of Christian theology and odd bits of superstition, other religions, and simple chaos. Plus, the first few episodes are rather slow going, with a good deal of unnecessary meandering and chitchat. Plus there is a heck of a lot of venery going on, all of it outside of marriage, which many religious people don’t like to see on their TVs. Nonetheless, the show is interesting and entertaining. Cassie, an attractive but shy young student, finds out that she is descended from witches and is at the center of a plot by demons to bring back the Nephilim, a race of giants mentioned in the Bible (e.g., Genesis 6:2) that was created when human women mated with demons (as one understanding has it). This is an actual

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Another File-Sharing Network Bites the Dust

July 27, 2006
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Another File-Sharing Network Bites the Dust

Sharman Networks Ltd, the makers and distributors of the hugely popular file-sharing network Kazaa, have settled a lawsuit brought by the music and movie industries, agreeing to pay $115 million. Most of the money will go to the music industry, and a smaller portion to the movie companies, according to the AP story. Kazaa will become a pay-to-download service along the lines of ITunes.  

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Microsoft Tries a Different Plan for TV on the Web

July 27, 2006
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Microsoft Tries a Different Plan for TV on the Web

Computer software giant Microsoft is about to bring free, commercial television to the Web, AP reports. Several online sites have experimented with offering commercial programs commercial-free on a pay–per-view or pay-to-download basis. Most notable among these, of course, is ITunes. What Microsoft is about to do, by contrast, emulates commercial television while improving convenience, by providing content for free but on an on-demand basis to consumers. The programming will be paid for by advertisement revenues rather than direct fees. The effort will begin with three episodes of the Fox comedy Arrested Development, the AP report notes. This marks the first time the program has been made available online. Microsoft has acquired exclusive "portal syndication" rights to all 53 episodes of the program for three years. Arrested Development was canceled at the end of the just-passed television season after three years. The G4 network will air the program on basic cable beginning this fall.  

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Mid-’60s Music Movie Mania

July 26, 2006
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Mid-’60s Music Movie Mania

Those who like mid-’60s rock and roll music (and who doesn’t?) should toddle over to Turner Classic Movies (TCM) today. My favorite band from that era, The Dave Clark Five, is featured in the 1964 film Get Yourself a College Girl, showing on TCM at 1:15 pm EDT today. That is followed by two films featuring Herman’s Hermits, Hold On (1966) and Mrs. Brown You’ve Got a Lovely Daughter (1968). After that, we have Elvis Presley and Ann-Margret in what is for me the King’s most appealing film, Viva Las Vegas. The mid-’60s were a fun and interesting time, from what I can tell based on the music, movies, TV shows, etc. that remain. (I was very young at that time.) It’s a nice place to visit. For those of you stuck at the office, I apologize for the late notice regarding these films and will give greater advance notice in future whenever possible. Here are the TCM descriptions of the films: 1:15 p.m.: Get Yourself A College Girl (1964) A music publisher courts a student songwriter at a ski resort. Cast: Chad Everett, Mary Ann Mobley, Nancy Sinatra. Dir: Sidney Miller. C-87 mins, TV-PG 2:45 p.m.: Hold On! (1966)

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Charlie Chan, Bourgeois Detective

July 25, 2006
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Charlie Chan, Bourgeois Detective

Those who have an interest in the meanings behind the Charlie Chan films are cordially invited to take a look at my December 31, 2001/January 7, 2002 article on the topic in the Weekly Standard. Subscribers and potential subscribers can read it here, and others may read a longer version of it here. The article explains why so many politically motivated persons have taken such an intense dislike toward this exemplary character, and it shows the rich layers of meaning we can find in seemingly simple genre fiction. For example: In his best films, Charlie is an almost ideal human being, in terms of personal character: wise, calm, observant, humble, polite, patient, affectionate, and generous, but also, when necessary, crafty, devious, and merciless. He frequently uses subterfuge to trick the killer into revealing his or her guilt, as in Charlie Chan at the Circus, where he sets up a fake operation on an injured circus performer to lure the murderer into trying to finish the job. Comedy helps the films avoid sappiness. Near the beginning of Charlie Chan in Egypt, we see the great detective awkwardly riding a donkey and unceremoniously falling off. In Charlie Chan at the Wax Museum

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The Puzzles of The Closer

July 24, 2006
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The Puzzles of The Closer

The Closer, on TNT Monday nights at 9 EDT, is an unacknowledged Americanization of the long-running British police procedural TV program Prime Suspect—and is something of an improvement on the excessively saturnine original. In The Closer, now in its second season, Kyra Sedgwick plays a police detective and homicide team supervisor who solves crimes while stumbling charmingly through a rather bumpy personal life. She’s a Southerner living in Los Angeles, and her charmingly manipulative ways make for an interesting character. It’s a good show, made appealing by Sedgwick’s excellent performance. She’s quite likeable as the protagonist, and her various problems are handled by both herself and the program’s writers with a fairly light touch. There is an appealing but not excessive amount of humor in the show. The season premiere episode, which first ran a couple of weeks ago, was particularly satisfying. Unlike most entries in the first season of the program, it had a solid puzzle with several suspects, and the viewer had enough info to solve the crime by the time Brenda was ready to reveal the killer. Most of the appeal of The Closer lies in the non-mystery elements, but having a good mystery made this episode

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Psych Up

July 23, 2006
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Psych Up

The new USA Network mystery-comedy series Psych, which runs Friday nights at 10 EDT, is still . . . pretty good. The premiere episode wasn’t nearly as good as the premiere of Monk a few years back—though that is a very high standard to reach. Psych is fairly amusing, and in fact LOL funny at times. The characters, however, are still not very interesting, and the mystery in the premiere episode was very weak, especially for a first shot at establishing a program’s credentials. The puzzle centered on a kidmapping, but there wasn’t much mystery to it, and the solution was a real cliche of the form—entirely predictable. Not a good way to begin a mystery series. Other than James Roday’s lead character, Shawn, the characters are all obvious refugees from other mystery programs: the skeptical/worried sidekick, the tediously suspicious cops, the gruff police captain (female in this case, but predictably hard-edged), the snotty suspects, etc. Shawn’s relationship with his ex-cop father (played well by Corbin Bernsen, though the actor is given very little to work with) is fairly interesting, but it doesn’t bring much more depth to the characters. Many things about the script seem rather undeveloped, alas. In

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Monk and Religion

July 23, 2006
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Monk and Religion

In my view, Monk is one of the best programs on television: it’s funny, always has strong plots and interesting characters, and upholds values I consider quite laudable. When Monk deals with traditional Judeo-Christian religion, it does so respectfully, another thing I like about the program, and it does so subtly, without being the slightest bit preachy, which makes the treatment palatable for those who don’t share that faith. This is an aspect of the show that has been little remarked upon, and I think that suggests the treatment is very effective, in that it doesn’t offend people while still making its points. That is an important lesson for writers and filmmakers to learn, I think. I own the Monk pilot movie and first three seasons on DVD, and I do watch them during those long, sad months when the show is on hiatus. (There are only about a dozen new episodes per year, running for about six consecutive weeks at the beginning of the year and then in July and August.)  

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