Movies

Mr. Moto Returns

August 3, 2006
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Mr. Moto Returns

Although 20th Century Fox is not exactly shouting it from the housetops, The Mr. Moto Collection, Vol. 1 is now available on DVD. In the series of Mr. Moto films from the late 1930s, Peter Lorre played the title character, a Japanese secret agent who solves crime mysteries. Lorre was absolutely brilliant in the role of the small, slight, unobtrusive, exceedingly polite master of jiujitsu and deductive logic. The films were made on B-level budgets, but the directors definitely got the most out of the investment. The stories were more action-oriented and hard-edged than most detection series of the time, such as the Charlie Chan films, and they hold up surprisingly well.   Peter Lorre deserves admiration for his performance as Mr. Moto. Although he was very ill and fighting off the overuse of morphine to combat gall bladder pain, Lorre brought great charm to the character, which was lacking in the Moto novels of J. P. Marquand, on which the series was based. In the books, Moto is something of a mystery himself, as Marquand tells us little about him other than his doings as an agent, and he is always seen from other characters’ point of view. Lorre’s

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The Case of Perry Mason—and an Important Addition

August 1, 2006
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The Case of Perry Mason—and an Important Addition

Speaking of Perry Mason as we were yesterday, you might be interested to know that the first 19 episodes of the long-running TV series are now available on DVD. The series, as noted yesterday, often had an interesting noir-like atmosphere, and the characters, including the victims, suspects, and other non-recurring ones, were sharply drawn, and the incidents and conflicts handled with a nicely perceptive eye. The author of the original series of nearly 90 Perry Mason novels, Erle Stanley Gardner, oversaw production of the program, and it was very good television, especially during its first few years. The theme music to the show, by the way, is probably one of the most widely recognized TV themes of all time, and brilliantly sets the tone for the episodes. Upon hearing it I always reflexively feel a sense of anticipation and excitement. I wrote a long essay a couple years ago about Erle Stanley Gardner, "The Case of the Bestselling Author," for the Weekly Standard, and it is available on their website here. I’ve included a few extracts in a posting below, to give you a sample. The one thing I must add is that in the process of editing the piece

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Joker Begins

August 1, 2006
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Joker Begins

Warner Bros has confirmed that Heath Ledger will play the Joker in the forthcoming sequel to Batman Begins. The film, to be called The Dark Knight, begins shooting early next year with BB director Christopher Nolan at the helm.

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William Powell on TCM

July 31, 2006
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William Powell on TCM

OK, forgive me for being a little late with this, but Turner Classic Movies is showing films featuring the great William Powell all day today, including two entries in the delightful Thin Man series. Powell was a witty, urbane leading man in 1930s Hollywood who starred in numerous films, some of which are true classics of their forms. The Thin Man films and his performances as detective Philo Vance (whom he manages to make quite likeable, as opposed to the obnoxiously smug Vance of the S. S. Van Dine novels on which the movies are based) are fun mysteries; Libeled Lady, My Man Godfrey, Love Crazy, and I Love You Again are among the greatest screwball comedies; The Great Ziegfield is a splendid biography with music, Manhattan Melodrama is a superb crime and morality drama, and his performances in Life with Father and Mister Roberts are standouts. Powell was born in Pittsburgh and raised in Kansas, and as the photos here indicate, he was not a conventionally handsome movie-star type by any stretch of the imagination. In fact, he started out in films by playing villains in silent movies. However, his class, sophistication, and innate gentility soon became evident with

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Miami Vice Blues

July 29, 2006
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Miami Vice Blues

The way to make a great genre film is not to try to "transcend the genre," as is the temptation for so many ambitious filmmakers. On the contrary, the way to make a great genre film is to make a genre film and just bring great creativity and insight to it. That’s what makes Howard Hawks’s Rio Bravo one of the greatest Westerns of all. Hawks’s film does what Westerns do, but it does it better than the others. Hawks doesn’t try to add extra significance to the story, but it takes on great meaning because of the superb plotting, excellent characterizations, and surehanded visual presentation. The same is true of Hitchcock’s best thrillers, Ernst Lubitsch’s greatest comedies, and Frank Borzage’s most moving dramas. They’re great because each embodies its form at its best. Would that Michael Mann had been content to do likewise with his film version of his 1980s cop show Miami Vice, now playing in theaters. In great contrast to the TV show, which was both serious and fun, the film version is extremely serious, and not fun at all. In fact, it’s really rather boring.  Most of the film is shot in near-darkness, as is the

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Blonde Alert!

July 28, 2006
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Blonde Alert!

Tonight on Turner Classic Movies: two excellent movies with the word Blonde in their titles: at 8 p.m. EDT, Raoul Walsh’s delightful 1941 comedy The Strawberry Blonde stars Rita Hayworth as the alluring title character in Gay ’90s New York City, and features excellent performances by Jimmy Cagney and Olivia DeHavilland; and at 10 p.m EDT, Gentlemen Prefer Blondes, Howard Hawks’s delightfully cynical film of Anita Loos’s delightfully cynical novel. The Strawberry Blonde is a charming, heartfelt comedy from the superb action director Walsh. In Gentlemen Prefer Blondes, Marilyn Monroe and Jane Russell star as two golddiggers on the make in Paris, and the film includes some excellent scenes of Hawks’s characteristic farcical comedy. It also has a great performance by Charles Coburn as wealthy marital target "Piggy." Both of these are must-sees for any serious film enthusiast. These two films are followed at midnight EDT by Andy Hardy’s Blonde Trouble (1944), one of the later and less-effective entries in the highly appealing "Andy Hardy" series of films MGM produced largely in the late 1930s and early ’40s. I’d recommend that those who have yet to see an Andy Hardy film skip this one and wait for TCM to show

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“Jesus Documentary” to Paint “Objective” Picture of Born-Again Christians

July 27, 2006
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“Jesus Documentary” to Paint “Objective” Picture of Born-Again Christians

An art-film documentary on young Christians has been picked up by Magnolia Pictures for distribution to theaters around the nation. The Hollywood Reporter writes, Magnolia Pictures has nabbed North American rights to "Jesus Camp," a documentary about a retreat for born-again Christian children. The project revolves around three youngsters who attend the Rev. Becky Fischer’s "Kids on Fire" summer camp in Devil’s Lake, N.D. It details their training to "take back America for Christ" and hone "prophetic gifts" in a mission as political as it is religious. The film was directed by Heidi Ewing and Rachel Grady. According the Magnolia president Eamonn Bowles as quoted in the story, "One of the great strengths of the film is that it doesn’t come with this prepackaged point of view." To buttress this claim in hopes of making the film palatable to Christian audiences, Bowles pulled the film from its scheduled showing next week at Michael Moore’s Traverse City Film Festival. Given the film’s openly arch title and Magnolia president’s strenuous claims that the film is objective, one suspects that it will make its young subjects look rather ridiculous. That is not at all difficult to do if one looks at some of

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Another File-Sharing Network Bites the Dust

July 27, 2006
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Another File-Sharing Network Bites the Dust

Sharman Networks Ltd, the makers and distributors of the hugely popular file-sharing network Kazaa, have settled a lawsuit brought by the music and movie industries, agreeing to pay $115 million. Most of the money will go to the music industry, and a smaller portion to the movie companies, according to the AP story. Kazaa will become a pay-to-download service along the lines of ITunes.  

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Some Like It Hot

July 26, 2006
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Some Like It Hot

MGM has just released a new Collector’s Edition DVD of Billy Wilder’s classic 1958 comedy Some Like It Hot, which starred Marilyn Monroe, Tony Curtis, and Jack Lemmon in a brilliantly farcical story set in the Roaring ’20s. Curtis and Lemmon play two penniless Chicago dance-hall jazz musicians who accidentally witness the St. Valentine’s Day Massacre and hotfoot it out of town to escape the gangsters who are out to silence them by means of a hail of bullets. Naturally, the only way out of town is as musicians in an all-girl band on its way to Florida, and they transform themselves into Josephine and Dapne and join the band on a train ride to Florida. Just as naturally, they run into beautiful Sugar, played by Marilyn Monroe, and naturally Josephine, er, Joe, falls in love with her. Once arrived safely in sunny Florida, Joe woos Sugar in the guise of a rich oil heir who speaks in a very poor imitation of Cary Grant—of whom, incidentally, no one had ever heard at the time of the film’s setting, February 1929. Just as naturally, a real millionaire, played by Joe E. Brown, falls in love with Daphne, aka Jerry. And

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The Great Billy Wilder

July 26, 2006
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The Great Billy Wilder

In recognition of MGM’s release of a Collector’s Edition DVD of Billy Wilder’s brilliant comedy Some Like It Hot, here are my thoughts on the great writer-director composed shortly after his death in October 2002 and published in the Hudson Institute’s American Outlook magazine: Wilder in Retrospect by S. T. Karnick Filmmaker Billy Wilder—winner of six Oscars and countless other awards, and widely respected as one of the greatest directors of the American cinema—died earlier this year, at the age of 95. Wilder was sometimes vilified as shallow and cynical, and even several obituaries remembered him this way. In fact, he was neither. He was a great satirist whose true motives were often misunderstood. Among other attributes, Wilder’s patriotism has received insufficient notice, especially because it stands in such stark contrast to the attitudes of so many of today’s Hollywood celebrities. Wilder began his career in the 1920s in Vienna, Austria, as a newspaper reporter, but he was attracted to the cinema and began to write films in Germany in the early 1930s before trying his luck in Hollywood. The acclaimed German expatriate director Ernst Lubitsch teamed Wilder with a genteel American writer, Charles Brackett, and the two soon whipped

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Mid-’60s Music Movie Mania

July 26, 2006
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Mid-’60s Music Movie Mania

Those who like mid-’60s rock and roll music (and who doesn’t?) should toddle over to Turner Classic Movies (TCM) today. My favorite band from that era, The Dave Clark Five, is featured in the 1964 film Get Yourself a College Girl, showing on TCM at 1:15 pm EDT today. That is followed by two films featuring Herman’s Hermits, Hold On (1966) and Mrs. Brown You’ve Got a Lovely Daughter (1968). After that, we have Elvis Presley and Ann-Margret in what is for me the King’s most appealing film, Viva Las Vegas. The mid-’60s were a fun and interesting time, from what I can tell based on the music, movies, TV shows, etc. that remain. (I was very young at that time.) It’s a nice place to visit. For those of you stuck at the office, I apologize for the late notice regarding these films and will give greater advance notice in future whenever possible. Here are the TCM descriptions of the films: 1:15 p.m.: Get Yourself A College Girl (1964) A music publisher courts a student songwriter at a ski resort. Cast: Chad Everett, Mary Ann Mobley, Nancy Sinatra. Dir: Sidney Miller. C-87 mins, TV-PG 2:45 p.m.: Hold On! (1966)

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Mass-Marketing Good Taste

July 26, 2006
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Mass-Marketing Good Taste

The Reebok shoe company has announced that it has signed young actress Scarlett Johansson to sponsor a new line of "retro-chic" footwear and clothing, Scarlett "Hearts" Rbk, E! Online reports. The shoes will reportedly take advantage of the starlet’s "Old Hollywood-style glamour," as E! breathlessly puts it. A respect for stylishness seems to me a very nice thing, although mass-marketing such a thing would seem a sure means of defeating the purpose, given that originality and expression of a strong, interesting personality were the hallmarks of that old-style Hollywood glamour. That is the sort of thing money cannot buy. That said, a move from the Britney/Christina Desperate Slut look to a more stylish, presentable look based on Ms. Johansson’s more tasteful approach would be a welcome change indeed.

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