Movies

“Sound of My Voice”: A Skillful Use of Uncertainty

May 6, 2012
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“Sound of My Voice”:  A Skillful Use of Uncertainty

“I don’t know.” These are the final words of Sound of My Voice and might be taken to characterize the film as a whole. Peter Aiken (Christopher Denham) and Lorna Michaelson (Nicole Vicius) are lovers who join a cult in order to secretly make a documentary film about it. For Aiken, this is a kind of mission since his late mother joined a different cult with disastrous consequences. The leader of the cult, Maggie (Brit Marling, who also co-wrote the screenplay with director Zal Batmanglij), claims to have been born in 2030 and to have returned to our present from 2054 in order to save a chosen few from a dire future. Formally, this is a pretty conventional film and at first it seems to be what was called in the 1950s a problem film one dealing with a social problem. But while the film quite successfully conveys the creepiness and psychobabble of the cult, it is not ultimately concerned with examining the cult phenomenon. As the movie progresses, it seems to focus more on the character of Aiken but even this is not the ultimate payoff. This is a generally understated thriller and the key to the film’s success

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The Existentialist James Bond — More Than You Might Want to Know about Double-O Seven

April 30, 2012
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The Existentialist James Bond — More Than You Might Want to Know about Double-O Seven

"Fleming created a secret agent who was sometimes frustrated and ambivalent about his job. Many Bond movies sidestepped the inner demons, showcasing instead a debonair 007 whose exploits were enhanced with gaudy gadgets and special effects."

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Perhaps the First Film Noir: ‘Stranger on the Third Floor’

April 22, 2012
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Perhaps the First Film Noir: ‘Stranger on the Third Floor’

Recently I had the good fortune to attend a screening of Stranger on the Third Floor (1940), arguably the first film noir ever made. Film noir is hard-boiled crime film that incorporates, from German Expressionist film, stylistic elements that communicate the moral corruption of the world as depicted by film noir, and also the psychological turmoil of the characters.

Film noir had its heyday in the decade and a half- or so following the Allied victory in World War II, and it is certainly a bit puzzling that, after such a great victory, there would be a bevy of films emphasizing the darkness of the world and the heart of man. Film noir also surprises those who regard the United States as characterized by optimism, even a certain naivete, and an indomitable can-do spirit. . . .

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‘Rocky Mountain Moving Picture Association’ Is as Much Fun as a Two-Reeler

March 27, 2012
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‘Rocky Mountain Moving Picture Association’ Is as Much Fun as a Two-Reeler

I've always had a fondness for tales of early Hollywood. It was an amazing time and place in history, in a sense the culmination (as author Loren D. Estleman himself argues in this novel) of the American Wild West. There, in the dusty hills of sleepy Los Angeles, a dysfunctional aggregation of eastern Jewish businessmen, stage actors, vaudevillians, European artistes, and ordinary cowboys improvised like mad to create an art form that had never existed before, and so had no rules or traditions to which to appeal.

Loren D. Estleman is best known as a mystery novelist, but he also writes good westerns, and The Rocky Mountain Moving Picture Association contains elements of both genres. It's a fun book, and I enjoyed it quite a lot. . . .

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Don’t Blame ERB If ‘John Carter’ Is a Flop

March 23, 2012
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Don’t Blame ERB If ‘John Carter’ Is a Flop

"What went wrong?"

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“Damsels in Distress” to the Rescue!

February 14, 2012
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“Damsels in Distress” to the Rescue!

Ooh! Ooh! After more than a decade without a new Whit Stillman film, his new one, “Damsels in Distress,” is coming: The trailer doesn’t say when it’s being released, but Movie Insider says April. I want very much to see this movie. It looks very promising. I explain my passion for Stillman’s work here. Tip: First Things.

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Van Damme Cinema: Meaningless, Silly, Senseless . . . in a Word, Priceless!

January 25, 2012
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Van Damme Cinema: Meaningless, Silly, Senseless . . . in a Word, Priceless!

The young crime-fiction aficionado Patrick Ohl writes: I have a confession to make. I love action movies, especially all those movies from the 80s and 90s starring Arnold Schwarzenegger, Sylvester Stallone, or any one of their rivals with the general exception of Steven Seagal. Dumb and derivative they may be, but I have plenty of fun watching the creative action, well-choreographed fights, and terrible acting. But above all, my guiltiest pleasures are watching Jean-Claude Van Damme movies.

I cannot explain this love of mine in any rational terms. Van Damme was at one point in his career considered Arnold Schwarzenegger without the price tag— like Arnold, he was consistently passed off as an American despite the heavily accented English, and his acting was almost always laughably bad. That being said, there are many minor gems in Van Damme’s career.

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A Dramatic Documentary: ‘The Man Nobody Knew: In Search of My Father, CIA Spymaster William Colby’

January 17, 2012
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A  Dramatic Documentary:  ‘The Man Nobody Knew:  In Search of My Father, CIA Spymaster William Colby’

A look at the excellent documentary about former CIA director William Colby. The film, by the subject’s son Carl, uses interviews, archival film footage, archival sound recordings, and a restrained but effective narration. And the title is accurate: this seems truly a search without a prior agenda.

In addition to being an intriguing character study, the film explores the relationship between a spy agency and the particular democratic culture of the United States and between it and the nature of the national self-image. The film also explores the relationship between the CIA professionals and politicians serving in Congress.

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Unexpected ‘Devil Inside’ Success Reflects Rising Interest in Demonic

January 9, 2012
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Unexpected ‘Devil Inside’ Success Reflects Rising Interest in Demonic

For many decades, including most of the twentieth century, the subjects of demonic possession, exorcism, demonology, and related matters received very little attention in the American society and culture, remaining confined to fringe interests. No more: there has been a profusion of films, novels, and nonfiction books about the subject in recent years.

The latest example of this burgeoning interest is the unexpected first-weekend success of The Devil Inside, a newly released film from Paramount. The Devil Inside brought in $33.7 million in its first weekend, finishing first in U.S. movie ticket sales. This was more than double the amount expected by "even the most optimistic forecasts" from industry insiders, as the Associated Press put it.

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The Little People Who Weren’t There

January 6, 2012
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The Little People Who Weren’t There

If the answer is "42," what's the question?

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“War Horse” Is Pretty, But Has No Legs

December 31, 2011
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“War Horse” Is Pretty, But Has No Legs

Stephen Spielberg’s new film War Horse is, as one would expect from a Spielberg production, visually gorgeous. The acting is excellent. The story itself, in my opinion, isn’t strong enough to bear the weight of a pony. Based on a stage play based on a children’s book by Michael Morpurgo, the film opens in the lovely countryside of Devon, England, where young Albert Narracott (Jeremy Irvine), a farmer’s son, watches a thoroughbred colt being born, and attempts to make friends with it. Later his drunken father (pretty improbably) gets it into his head to buy the animal as a plow horse, and Albert trains it to work. Then setbacks force the father to sell the horse to the army (World War I has just begun), and we follow the horse’s experiences through the entire war, up to Armistice Day and beyond. Although it was a delight to watch, I did not succeed in suspending my disbelief for one moment in the course of this (too long) movie. It’s a war movie from people who know nothing of war, and a horse movie from people who know nothing of horses (I happened to see it with a couple horse owners, and

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‘Mission Impossible’ Is Impossible!

December 29, 2011
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‘Mission Impossible’ Is Impossible!

But if you can suspend disbelief for a couple hours it is one heck of a ride . . .

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