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Fun and Games a Goofy, Violent Romp — And That’s OK.

April 18, 2011
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Fun and Games a Goofy, Violent Romp — And That’s OK.

Fun and Games, by Duane Swierczynski. Mulholland Books, available in June 2011. by Warren Moore Duane Swierczynski is known both for his work in crime fiction and writing for comic books. In his new novel, Fun and Games, he seems to combine elements of both, giving us a loud, pulpy textual equivalent to a summer action movie, with elements of both Quentin Tarantino and Richard S. Prather. It’s a book destined to be a guilty pleasure, but the pleasure is definitely there, and that’s a writer’s first job. The premise is interesting: Los Angeles — and particularly Hollywood — is the base of a clandestine group of “fixers”, rather like “Mr. Wolf” from Tarantino’s Pulp Fiction writ large. They construct and produce narratives that cover up various things the Powers That Be want covered up, from negligent homicide to assassination — in fact, it’s implied a couple of times that the group may have been responsible for the JFK shooting. They are efficient and lethal, with resources including untraceable poisons, seemingly limitless budgets, access to vast databases, and an array of weaponry that would make James Bond’s Q envious. They’re known as The Accident People, and the novel is the

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Prose & Poetry Update

April 18, 2011
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Prose & Poetry Update

I’m back and I’ve decided to drop the “Weekly” from the post’s title. At least until I hit a good, say, three months of regular weekly updates. Without further ado, here’s a few links for the fiction and poetry fans visiting the American Culture. To start things off, a few literary quotes concerning education: “Reeling and Writhing, of course, to begin with,” the Mock Turtle replied; “and then the different branches of Arithmetic–Ambition, Distraction, Uglification, and Derision.” - Lewis Carroll, Alice’s Adventure’s in Wonderland “At forty you stand upon the threshold of life, with values learned and rubbish cleared away.” - Algernon Blackwood, A Prisoner in Fairyland “There is no education like adversity.” - Benjamin Disreali, Endymion “So long…as we consider finance, industry, trade, agriculture merely as competing interests to be reconciled from time to time as best they may, so long as we consider ‘education’ as a good in itself of which everyone has a right to the utmost, without any ideal of the good life for society or for the individual, we shall move from one uneasy compromise to another.” - T. S. Eliot Short Fiction Shtetl Days by Harry Turtledove “Jakub Shlayfer opened the door and walked

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Zeitgeist Alters a Classic War Novel

April 16, 2011
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Zeitgeist Alters a Classic War Novel

From Here to Eternity has been in print since Scribner originally published it in 1951. That version won the National Book Award in 1952, a year it was up against The Catcher in the Rye and The Caine Mutiny, among other titles. According to the New York Times, it “is frequently cited as one of the best American novels of the 20th century.” Not content with accepting the novel’s iconic status, James Jones’ heirs have decided this American classic must bow down to the vulgarity and identity politics currently admired by modern culture. When the classic novel From Here to Eternity was published in 1951, a few things were gone that had been in the original manuscript: explicit mentions of gay sex and a number of four-letter words. … Sixty years later Mr. Jones’s estate has made a deal to reissue a digital version of the book that restores those cuts. This begs the question: Why? Clearly, these edits didn’t harm the work’s status among literary elites. So what do readers gain in re-reading, or reading for the first time, this novel with the vulgar language and mentions of gay sex restored? Some may respond that this is the book’s

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Cowabunga! Studio Tries to De-Christianize True Story

April 13, 2011
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Cowabunga! Studio Tries to De-Christianize True Story

by Warren Moore You may remember the story of Bethany Hamilton, the surfer from Hawaii who lost an arm to a shark in 2003, and has made her way back to riding the waves. Her inspirational story has made its way to your local multiplex, in the form of the new movie Soul Surfer. However, keeping the “soul” in the movie was a challenge in itself, as CNN reports. Hamilton credits her Christian faith and the support of people at her church for overcoming her injury and returning to her surfing career. In particular, one important scene in the movie involves Hamilton’s youth group leader, Sarah Hill, counseling her in the wake of losing her arm. While Hill is likely pleased to have been played by Carrie Underwood, she was less pleased with what nearly happened on set: In one scene, Hill’s character is shown counseling Hamilton as she struggles with living as an amputee. She reads from Jeremiah 29:11 ” ‘For I know the plans I have for you,’ declares the Lord, ‘plans to prosper you and not to harm you, plans to give you hope and a future.’ “The morning they went to shoot that scene, said Hill,

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Review: Atlas Shines

April 13, 2011
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“This isn’t a movie, it’s a newsreel,” commented my Atlas Shrugged, Part I viewing companion – an old Mackinac Center colleague. Spot on. The film’s source material is more than a half-century old and its author, Ayn Rand, is often characterized as a Cassandra predicting dystopian outcomes for New Deal policies, ever-expanding government intervention in the marketplace, and rent-seeking corporations. In 2011, those predictions have bore fruit: a $14 trillion deficit; a government shutdown; regulatory bureaucrats run amuck; bailouts of banks and automotive companies; and corporate donors such as Google’s Eric Schmidt and General Electric’s Jeff Immelt receiving most-favored status at the presidential table. Our current situation is dire, and Rand – ever the scold even 29 years after her demise – speaks from her grave: “I told you so.” Full disclosure: I was never a fan of the 1,200-page doorstop Rand dared call a “novel.” Sorry, Randroids, it’s the lit major in me. The tome suffers from poorly drawn characters, plodding plotting, and stilted, didactic dialogue that could’ve been supplied by any given window washer at the end of the exit ramp. It may be one of the 20th century’s best-loved books, but while it succeeds as a novel

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‘Sloth, by Mark Goldblatt, Deconstructs the Deconstructionists

April 12, 2011
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‘Sloth, by Mark Goldblatt, Deconstructs the Deconstructionists

By Lars Walker One of the most interesting tricks of the mystery writer is “the unreliable narrator.” When you aren’t sure if you can believe what the storyteller tells you, it adds a whole level to the puzzle. Author Mark Goldblatt has added a further level of complexity. Not only does the narrator of Sloth (released last year by Greenpoint Press) sometimes deceive the reader, he may in fact not even exist. He never tells us his name. The only name he ever uses in the story (one chosen in order to deceive the woman he loves) is Mark Goldblatt, the name of the actual author of the book. But he didn’t borrow it from his author. He borrows it from his friend Zezel, who is an author and uses it as a pseudonym. (Or is he and does he?) You see the kind of book we’re dealing with here? Mark Goldblatt (the real one, I mean. S. T. Karnick assures me he actually exists, and that’s good enough for me) has written a parody of postmodern novels in which he out-deconstructs the deconstructors. Layers of meaning and misdirection are everywhere (as well as a lot of word play and

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Golf: The Agony and the Ecstasy—and the Revelation of Character

April 12, 2011
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Golf: The Agony and the Ecstasy—and the Revelation of Character

By Mike D’Virgilio Are any golf fans out there know how special early April is in the calendar. This is the month when professional golf’s first of four majors, The Masters, takes place in spring’s full bloom of Augusta, Georgia. What a site. My response is always to marvel at the handiwork of a God who could conceive of and create such beauty, and how people can take the raw material of His creation and turn it into something ineffable. Then there is golf. There are very few sports where you can win by losing, but golf is certainly one of those. Such happened on Sunday afternoon on the rolling hills of Augusta National, the course the great Bobby Jones developed with Alister Mackenzie after he retired from competitive golf at the tender age of 29. This 75th Masters was as exciting and as heartbreaking as any that came before. For three rounds the 21 year old Irish phenom, Rory McIlroy, played superb golf and headed into the final round with a four stroke lead. This doesn’t happen very often to one so young, and the question for any leader at the final round of a major was only accentuated

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Eleven Ways Big Government Wrings Money Out of Its Citizens

April 11, 2011
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Eleven Ways Big Government Wrings Money Out of Its Citizens

By Mike Gray About a century ago a group of brilliant Italian scholars set out to study the nature of the state and its monetary affairs. One of them, Amilcare Puviani, tried to answer this question: If a government were trying to squeeze as much money as possible out of its population, what would it do? He came up with eleven strategies that such a government would employ. They’re worth examining: 1. The use of indirect rather than direct taxes, so that the tax is hidden in the price of goods 2. Inflation, by which the state reduces the value of everyone else’s currency 3. Borrowing, so as to postpone the necessary taxation 4. Gift and luxury taxes, where the tax accompanies the receipt or purchase of something special, lessening the annoyance of the tax 5. Temporary taxes, which somehow never get repealed when the emergency passes 6. Taxes that exploit social conflict, by placing higher taxes on unpopular groups (such as the rich, or cigarette smokers, or windfall profit makers) 7. The threat of social collapse or withholding monopoly government services if taxes are reduced 8. Collection of the total tax burden in relatively small increments (a sales tax,

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Who Has a Right to Abridge Freedom of Speech?

April 11, 2011
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Who Has a Right to Abridge Freedom of Speech?

By Mike Gray Short answer: nobody. The 1st Amendment says: “Congress shall make no law … abridging the freedom of speech ….” So that does it for Congress. But the Supreme Court and other federal magistrates think they know what’s free speech and what isn’t — and legislate from the bench accordingly. Evidently, magisterial federal judges believe the congressional limitations imposed by Amendment One don’t apply to them. The Supremes have whittled down the 1st Amendment so much that American citizens aren’t really sure what they can say in public discourse. This is about as far from what the Founding Fathers intended as it can get. Small wonder certain Liberal-Progressive groups flee to the sheltering arms of federal judges like a little kid on a playground who just got called a bad name. They want free speech for everybody — everybody who agrees with them, that is. Mike Adams, columnist and criminology professor at UNC-Wilmington, recently had to run a gantlet of sorts in a lawsuit he brought against his employers: In my original complaint filed against the University of North Carolina at Wilmington in 2007, my attorneys with the Alliance Defense Fund alleged that my application for promotion had

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A Conservative Win for Academic Freedom

April 7, 2011
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A Conservative Win for Academic Freedom

by Warren Moore One of the better known conservative contrarians in higher education is Mike Adams, a criminology prof at the U of North Carolina — Wilmington. After submitting a promotion dossier that included some of his columns, Adams was denied a promotion and sued, alleging viewpoint and religious discrimination. His suit was originally dismissed, but on appeal, a three-judge panel of the Fourth Circuit ruled unanimously that while the religious discrimination charge was rightly dismissed, academic freedom and First Amendment rights must be considered. According to the Chronicle of Higher Ed: If the university does not appeal, the district court will now have the task of determining whether Mr. Adams’s commentaries were a substantial factor in the university’s decision not to promote him and whether his speech should have been protected because his interest in speaking on matters of public concern outweighed the university’s interests in determining for itself how to best serve the public. Now there may be other perfectly good reasons for denying Adams the promotion — I’m not really familiar with his c.v. It’s also not proven that Adams’s viewpoint and columns (which the Chronicle compares to Ann Coulter) were the reason for denial — as

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From Heartaches to Dreams: Revolver, 45 Years Later

April 6, 2011
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From Heartaches to Dreams: Revolver, 45 Years Later

by Warren Moore Forty-five years ago today, recording began on Revolver, which in recent years has become my favorite Beatles album. I tend to agree with Steve Earle, who says that despite all the advances in technology and studio craft, there has never been another album that sounds as good, as real, as rock and roll, as Revolver. But the songs and performances are the crux of the biscuit (as Frank Zappa would say), and they’re pretty stunning as well. I’ve discussed the idea of the White Album as being the Chaucerian “God’s Plenty” before, but I’d like to turn to another metaphor in the case of Revolver. Science fiction author Spider Robinson has said that for present-day musicians, the Beatles are like Latin in the Middle Ages — no matter where you go, someone will know some of it and you’ll have a shared space in which to communicate. Part of this, I think, lies in the range of both Latin and the Beatles, and Revolver is as good a place to see that as any. The album brings us everything from blue-eyed soul (“Got to Get You Into My Life”) to Macca’s effortlessly yearning “Here, There, and Everywhere”,

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The Murder of Mystery Genre History: A Cautionary Tale About the Perversion of Cultural History

April 5, 2011
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The Murder of Mystery Genre History: A Cautionary Tale About the Perversion of Cultural History

Review of The Cambridge Companion to American Crime Fiction, edited by Catherine Ross Nickerson By Curt Evans On the back cover of The Cambridge Companion to American Crime Fiction (2010), the blurb tells us that the fourteen essays contained therein represent the “very best in contemporary scholarship.” If so, this should be a matter of grave concern to people interested in the history of the American mystery genre before World War II, or in the preservation of what is best in the culture and fostering of good works in the future. As the Companion is a skimpy book of less than 200 pages and it has fourteen essays, potential readers should be immediately clued in to the fact that the essays tend to be rather cursory. A listing of the topics further reveals that the book’s coverage is esoteric, leaving noticeable gaps: Introduction (4 pages) Early American Crime Writing (10 pages, excluding footnotes) Poe and the Origins of Detective Fiction (8 pages) Women Writers Before 1960 (12 pages) The Hard-Boiled Novel (15 pages) American Roman Noir (12 pages) Teenage Detective and Teenage Delinquents (13 pages) American Spy Fiction (9 pages) The Police Procedural on Literature and on Television (13 pages)

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