Monthly Archives: July 2007

FX’s Damages

July 31, 2007
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FX’s Damages

Damages, a legal drama that premiered last week on the FX cable network, follows the now customary FX approach of putting a veneer that is at once glossy and gritty on a basically conventional genre. In addition, like other FX shows, it looks very politically correct on the surface but underneath it all is much smarter than that. The show initially seems a throwback to the late 1960s and early ’70s, with big business figures portrayed as ruthless and indeed murderous, and a crusading attorney, played by Glenn Close, as the heroine. It manages to be both overly talky and absurdly melodramatic, as the grand self-images of several of the central characters threaten to make the show rather silly.

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The Legacy of Ingmar Bergman

July 30, 2007
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The Legacy of Ingmar Bergman

The Swedish film director and screenwriter Ingmar Bergman died today, at the age of 88. Bergman was greatly admired by critics and achieved some success with U.S. audiences during the 1960s. Bergman’s films were known for their heavy intellectual themes and extravagant symbolism, perhaps most famously in the chess match between a knight and the Grim Reaper in The Seventh Seal. As in that scene, Bergman was often given to heavy-handedness and pretension, and his films, although often powerful if one is sympathetic to their themes, could be somewhat weak and even risible when the director indulged too greatly in cinematic intellectualism.

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A Black Eye on Professional Sports

July 29, 2007
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Barry Bonds’ 754th home run, one short of Hank Aaron’s lifetime record for Major League Baseball, was marred Friday night when, as part of his celebration after hitting the homer, he electrocuted a pit bull.

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Origin of a Famous Movie Line

July 28, 2007
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Origin of a Famous Movie Line

One of the most famous lines of movie dialogue of all time is Clint Eastwood’s question, "Do you feel lucky?" in Dirty Harry. (Actually, he states it a couple of different ways in that film.) What most movie fans don’t know is that the line is not original to Eastwood’s film. In the 1947 Columbia Pictures Western Gunfighters, starring Randolph Scott (directed by George Waggner from the Zane Grey novel Twin Sombreros), at the climactic showdown between protagonist Brazos Kane (Scott) and secondary villain Orcutt (Forrest Tucker), Kane faces the gunman with his hands raised to shoulder level, poised to reach for his pistol, and says, "Now, any time you feel lucky." There’s a little fact with which to amaze your friends….

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The Simpsons Movie

July 27, 2007
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The Simpsons Movie

If you ever liked the Simpsons TV series, you’ll enjoy The Simspsons Movie. It’s basically a long episode of the series, but the film never becomes boring. The animation looks fine, the characters are as we always knew and enjoyed them, and the humorous dialogue lines are as funny as ever. There’s rather too much Lisa for my taste—Lisa represents the cause-y and sentimental sides of the program, which are the aspects I enjoy the least. Similarly, Bart is given an emotional crisis that takes away from his usual humorous role as a force of nature. He’s nowhere near as funny here as he was during the show’s early years, but Homer replaced Bart as the center of the program a decade and a half ago, so we probably should be used to it by now. But alas, anyway.

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Best-Reviewed Film of the Year

July 26, 2007
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Best-Reviewed Film of the Year

The best-reviewed movie of the first half of the year was . . . Ratatouille. So reports the Rotten Tomatoes website, as noted in the Hollywood Reporter. The Disney-Pixar computer-animated release directed by Brad Bird (The Incredibles) was joined at the top of the heap by a group of films consisting mostly of critical favorites that did poorly at the box office—with Knocked Up being the major exception.

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One Smart Rock ‘n’ Roller

July 26, 2007
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One Smart Rock ‘n’ Roller

Not all rock stars are  mindless sybarites. Brian May, the superb guitarist for the hugely popular 1970′s and ’80s rock group Queen, is about to finish work on his Ph.D. in astrophysics. The sixty-year-old musician-scholar suspended his studies in the early 1970s when Queen became an international success. May’s guitar was as important a part of the band’s sound as Mercury’s voice, although the group could not survive the loss of the latter when Mercury died in 1991. May continued to record music, mostly on a variety of solo albums that didn’t set the world on fire. Meanwhile, he continued work on his doctorate, and now plans to submit his thesis within a couple of weeks. 

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More Thoughts on “Saving Grace”

July 25, 2007
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More Thoughts on “Saving Grace”

"Bubba," a regular reader of this site, has sent us his thoughts on the new TNT TV program Saving Grace, in a comment on my article on that show and AMC-TV’s Mad Men. I think readers will benefit from Bubba’s analysis, so I append it here with gratitude to their thoughtful author. Sam: I was wondering whether you would review Saving Grace and what your opinion would be. I looked at the show from a few angles (from the couch, from the kitchen grabbing a snack, from the recliner)and generally liked what I saw. For what its worth, I offer a few of my observations.

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An Immorality Play

July 24, 2007
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An Immorality Play

The Adam Sandler comedy I Now Pronounce You Chuck and Larry was the top U.S. box office attraction this past weekend, as expected. The film brought in $34 million, edging out the previous week’s top draw, Harry Potter and the Order of the Phoenix, by $2 million. It will be interesting to see whether Chuck and Larry can sustain its appeal. Adam Sandler  has strong box office appeal when appearing in silly comedies, and this film had the additional draw of the curiosity factor, as its subject matter, homosexual marriage, is in the news and seems to promise rich ground for humor.

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TV Tackles the Sensate Culture

July 23, 2007
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TV Tackles the Sensate Culture

Summer has become the main season for cable TV networks to premiere new series and specials, as the broadcast networks give themselves over to reruns and game shows on the assumption that nobody wants to watch television on warm summer nights. That’s probably a good bet—and certainly a good thing if true—and it has a further benefit in that the cable networks tend to be a little more creative than the broadcast majors in the kinds of series they offer. Chasing a smaller audience allows them to be more adventurous in what they’ll try—and sometimes they succeed. Two good examples are AMC-TV’s Mad Men and TNT’s Saving Grace, both of which premiered in the past few days.

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Christianity on Rise in Europe

July 20, 2007
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The many Americans who think atheistic, socialistic Europe is the greatest place in the world and the United States is a putrid backwater populated overwhelmingly by hicks and weirdos will be awfully dismayed by the latest news from Europe. The Wall Street Journal reports that the Continent has increasingly been getting religion, especially of the Christian variety: After decades of secularization, religion in Europe has slowed its slide toward what had seemed inevitable oblivion. There are even nascent signs of a modest comeback. Most church pews are still empty. But belief in heaven, hell and concepts such as the soul has risen in parts of Europe, especially among the young, according to surveys. Religion, once a dead issue, now figures prominently in public discourse. God’s tentative return to Europe has scholars and theologians debating a hot question: Why? Part of the reason, pretty much everyone agrees, is an influx of devout immigrants. Christian and Muslim newcomers have revived questions relating to faith that Europe thought it had banished with the 18th-century Enlightenment. . . .

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Emmy Award Nominees Announced, World Yawns Mightily

July 19, 2007
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Emmy Award Nominees Announced, World Yawns Mightily

  The nominees for TV’s Primetime Emmy Awards were announced today, and details are available here for those who care. I am one who does not. For some reason these award shows and the actual choosing of winners hold absolutely no interest for me, except of course in my capacity as a scientist of social diseases, I mean social phenomena. Probably my main dispute with these things is that the awards are so clearly not based on true merit, but given that it’s reasonable to disagree over what merits praise or condemnation in a cultural artifact, I suppose that’s a lost cause.

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