This is the last day in which I can decently mark the centennial of the birth of the truly great detection fiction writer John Dickson Carr. Carr flourished as a writer during the 1930s and ’40s and wrote numerous classic detective novels and short stories, continuing to write until the 1970s. With Doyle, Chesterton, Christie, Queen, and Sayers, Carr is one of the greatest of all mystery writers. Carr was the master of the "impossible crime" story and its best-known subset, the locked-room mystery. Carr’s narratives are fiendishly deceptive and puzzling, yet he leaves the crucial clues right out there for the reader to see. Yet we never do, and the detective’s revelation of the killer nearly always comes as a big surprise. Carr’s stories tend to include a bit of overly cute romance between some young couple unique to each book or story, and he has a habit of piling on melodramatic language at times (primarily in the dialogue) and setting obviously artificial rhetorical cliffhangers at the end of some chapters, but these are minor inconveniences that detract only a little from the overall excellence of most of his books and stories. His achievement rests mainly on two series.








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