Over Thanksgiving weekend, Daniel Crandall took in a groan-inducing teenage melodrama, and heard the age-old question, "What good is my soul if my boyfriend isn't around?"
Continue reading "Twilight: New Moon - Selling one's soul for love in a cheesy teen melodrama" »
Despite some valid criticisms of Robert Zemeckis’ new high tech re-make of Dicken’s Christmas classic the movie and the story still enthrall, writes Mike D’Virgilio.
Continue reading "Disney’s “A Christmas Carol”" »

Via Pam Meister at Big Hollywood comes word that the fetching Megan Fox is not all that happy that her first legitimate starring role in Jennifer's Body bombed at the box office.
Who's to blame? The rubes in Middle America, for whom the girl raised in Tennessee has an enduring hate, Jim Lakely notes.
Continue reading "Megan Fox Trashes Middle America ... Again" »

Continue reading "'Fourth Kind' Unfairly Derided by Critics" »
Overcoming much negative pre-release criticism and showing the public's rising interest in apocalyptic story lines in movies and television fare, 2012 finished tops at the U.S. box office over the weekend with an impressive $65 million in North American ticket sales.
That was actually $3 million less than 2012 director Roland Emmerich's 2004 disaster film, The Day After Tomorrow, brought in during its opening weekend, but it's a very good start and shows audiences' strong interest in apocalyptic story lines. Read more here.

Richard Kelly's film The Box gets lost in a confusing wilderness when its director abandons its source's themes, Daniel Crandall writes.
Continue reading "Review: Great Short Story Mangled into a Clumsy Film" »

Continue reading "'Equalizer' Star Woodward Played Exemplary Heroes" »

It's not inherently a bad thing that the characters in Woody Allen's movies tend to be victims of their lusts, but it shows a weakness in his vision and his films, writes TAC guest contributor Shmuel Ben-Gad.
Continue reading "Woody Allen's Big Blind Spot" »

The creative worlds’ failure to spark the public’s moral imagination with projects depicting the horror of the gulag allows the world to ignore the continued presence of those hellish prisons, Daniel Crandall writes.
Continue reading "The Gulag Lives On--But Not in Our Culture" »

Continue reading "Disney's 'Christmas Carol' Disappoints at Box Office, Carrey Slams Capitalism" »
The Michael Jackson film This Is It led at the U.S. movie box office during its first weekend, but its total North American receipts of $32.5 million for its first five days were well below industry expectations, which had pegged the film to draw in the $40 million range. For the weekend it brought in an unexciting $21.3 million.
This Is It did well overseas, snagging $101 million in its first five days. The independent film Paranormal Activity finished second with $16.5 million in ticket sales, for a film that cost just a few thousand dollarst to make and which has been given a limited advertising budget by its studio.
--S. T. Karnick

Political activists should be aware that stories are more powerful movers of the human spirit than propositions. A fine example comes from the journey of the amazing movie Bella, Mike D'Virgilio writes.
Continue reading "'Bella' Shows Stories Are More Powerful Than Arguments" »

Released yesterday, This Is It is a behind the scenes look at rehearsals for the tour that never happened. It might be interesting, writes Mike D'Virgilio.
Continue reading "Michael Jackson’s "This Is It" Really Was" »

Continue reading "'Couples,' 'Paranormal' Show Value of Genre Traditions" »

Continue reading "Hollywood Feeling Economic Pinch, Cutbacks Loom" »

With a $25 million dollar opening this weekend, Zombieland demonstrates that there's simply no substitute for showing people a good time. Relatively short on plot and deep characterization, but long on charm, this postmodern zombie comedy hits all the right buttons and sends you back out into the world with a smile on your face, writes R. J. MacReady.
Continue reading "A Zombie Confection" »

Continue reading "Review: 'The Invention of Lying'" »

Continue reading "A Certain Truth in 'The Invention of Lying'" »

The usual fall doldrums have hit the Hollywood box office particularly hard this week--with Bruce Willis's lugubrious persona a prominent victim, S. T. Karnick writes.
Continue reading "'Surrogates' Stumbles at Box Office, Willis Appeal Remains Weak" »
Continue reading "U.S. Movie Audiences Continue Quest for Optimism, Positivity" »

The late Patrick Swayze wasn't a great actor, but he was a dude, which is more important and is what makes his best films well worth watching. Andrew Klavan fondly remembers Swayze at Klavan on the Culture.
My Swayze recommendations: Red Dawn, Road House, Point Break, Next of Kin, Uncommon Valor, North and South, Donnie Darko, City of Joy.One to avoid: To Wong Foo Thanks for Everything Julie Newmar. (They must have paid him a fortune to do this drag-queen film. I certainly hope so.)
--S. T. Karnick

Proving once again the power of appealing to Christian moviegoers, Tyler Perry's I Can Do Bad All By Myself finished at the top of the U.S. box office during its opening weekend.
Continue reading "Tyler Perry's Latest Tops U.S. Box Office in Opening Weekend" »

Continue reading "Romero's Latest Zombie Film Has Political Slant, As Usual" »

Continue reading "Audiences Shun Lee's Woodstock Comedy" »

Continue reading "Hollywood takes shot at Palin again, and misses" »

TAC editor S.T. Karnick is right that Julie & Julia is likely to enjoy a profitable run for the rest of the summer. And while I'm not normally a fan of Nora Ephron movies (I am a man, after all), this film is worth seeing with the love of your life if only to watch Meryl Streep's charming and captivating Julia Child impression, Jim Lakely writes.
But even in this cute little movie, Ephron can't help but take political shots at nonliberals—one of which was perhaps the most jarring I can ever remember watching.
Continue reading "Cheap Shots at Republicans and Nonliberals Almost Ruin 'Julie & Julia'" »

Continue reading "The Intellectual Pretensions of 'Classic' Scifi Films" »

Continue reading "Gratuitous Nudity Can't Save Val Kilmer's Global Warming Movie" »

Stephen Sommers' simplistic summer blockbuster G.I. Joe: The Rise of Cobra opened well at the U.S. box office, but the smaller film Julie and Julia will probably be remembered much more fondly.
Continue reading "Top Two New Movie Releases Take Contrasting Approaches" »

Continue reading "Weak 'Funny People' Box Office Shows What Audiences Really Want" »

Continue reading "Mann's 'Public Enemies' Marred by Moral Relativism" »
As I predicted last week, Sacha Baron Cohen's Brüno continued its precipitous decline at the U.S. box office this past weekend. A week after finishing first during its opening weekend on the strength of audiences' appreciation for Cohen's previous film, Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, Brüno fell to fourth this past weekend, with a stunning 73 percent drop in audience numbers from the previous week.
Even though critics did their best to pretend this turkey was a pheasant, audience members obviously were spreading the word of their disappointment with the boring and beyond-asinine Brüno, as the film was neither consistently funny nor amusingly iconoclastic. On the contrary, Brüno slavishly gave allegiance to contemporary social-transformation pieties while unintentionally making homosexual behavior and the attendant lifestyle look appalling.
Audiences aren't buying it.
--S. T. Karnick
Continue reading "The Astonishing Awfulness of 'Brüno'" »

You know, there may be something to this Harry Potter book thing. After all, you really aren't going to get that much out of the movie adaptation unless you've read the books. Fortunately (or unfortunately) for me I've consciously decided against reading the books. While that may make me a rare individual this weekend, it also kept me from enjoying the movie.
Continue reading "Harry Potter and the Half-Enjoyed Movie" »

I haven't yet seen Bruno, the new film from Sacha Baron Cohen, but I can point you to John Nolte's superbly informative and analytical critique at Big Hollywood. Nolte praises the film for consistently mocking contemporary liberal elites and political correctness, but laments its unceasing excessive obscenity and nudity, which he says becomes tiring very quickly:
Continue reading "'Bruno' Slaps Leftist Elites Under Cloak of Irony, Obscenity" »

Despite being trashed by the critics, Transformer: Revenge of the Fallen led at the U.S box office for the second weekend in a row.
With its strong complement of Christian themes and images, the Transformers sequel edged out the premiere weekend performance of the animated comedy entry Ice Age: Dawn of the Dinosaurs, the third in that series, $42.3 million to $41.7 million.
Indicating that Christian themes, likable characters, and stories depicting people with a positive purpose outweigh critics' cavils, Transformers: Revenge of the Fallen continued to draw well from all audience segments and shows signs it will sustain its ability to garner good numbers, according to a studio source.
--S. T. Karnick

This year marks the 70th anniversary of Hollywood's greatest year, 1939.
Accordingly, Turner Classic Movies is celebrating the anniversary this month by showing 39 films released in '39, beginning tonight with a showing of The Wizard of Oz at 8 EDT, followed by a new documentary, 1939: Hollywood's Greatest Year.
It's a truism among fans of classic movies that 1939 was the Hollywood cinema's greatest year. But if it has become something of a cliche to say so, it's only because it's so undeniably true.
It's really rather amazing to consider how many classic or transcendentally classic films were released during that annus mirabilis. Among the most highly praised then and in the ensuring years were the following:
Continue reading "Hollywood's Greatest Year, 1939" »

Continue reading "The Toxic Philosophy Behind 'Quirky' Film(s)" »

Actor Karl Malden, who died today at age 97, was a fine performer who stood for good principles and conveyed a sense of moral responsibility in his performances, S. T. Karnick writes.
Continue reading "Malden Brought Depth, Moral Responsibility to Movie Roles" »

Thematically, Transformers: Revenge of the Fallen is just as good as its predecessor. Unfortunately, it falls short in other important ways, S. T. Karnick writes.
Continue reading "Good Themes Overshadowed by Cinematic Flaws in 'Transformers' Sequel" »

Continue reading "Review: The Stoning of Soraya M" »

While Away We Go offers some wonderful performances and two leads with real chemistry, it's lacks any real dramatic development. Moreover, in its earnest desire to be this year's Little Miss Sunshine, it passes off quirky individuality as a recipe for successful parenting.
Continue reading "Little Miss Parenthood" »
Filmmaker Tim Burton is in production on a film based on Lewis Carroll's Alice's Adventures in Wonderland and Through the Looking Glass.
Burton, director of Batman, Edward Scissorhands, Beetlejuice, Sleepy Hollow, Charlie and the Chocolate Factory, and other successful fantasy films, is using digital manipulation of real-life actors and actresses to recreate the inhabitants of Wonderland, such as the Mad Hatter (Burton regular Johnny Depp), the Red Queen (Helena Bohnam-Carter), the Cheshire Cat (Stephen Fry), the Jabberwock (Christopher Lee, a superb choice), and Tweedledum and Tweedledee (both played by Matt Lucas (Little Britain).
The film has Alice (Mia Wasikowska, Defiance) returning to Wonderland as a teenager.
Given that Burton said he chose Wasikowska because she has a "certain kind of emotional toughness," and putting that together with the director's track record and the use of a significantly older protagonist than in the books, it's likely that this new version of the story will be much darker, disturbing, and grotesque (as opposed to Carroll's charming use of the bizarre) than Carroll's books and the various film and theatrical versions.
Judging by Burton's previous work, the film is also likely to be interesting, inventive, cinematically smart, visually arresting, emotionally affecting, and quite difficult to make much ultimate sense of.
Photos of of some of the characters in the film are available in a Yahoo! article.

Continue reading "Character Charm Overcomes Comic Anarchy at U.S. Box Office" »

Continue reading "Despite Ugly Facade, 'Year One' Has Positive Message About Religion" »
Mr. Karnick has already written a wonderful essay on the original Friday the 13th movie with an eye toward the forest path it opened up for subsequent horror films. Well, the reboot of the movie came out this past week on DVD, so I thought it only fitting to examine how the new movie demonstrates just how lost in the woods we really are when it comes to horror.
Continue reading "It's Not The Mask, Stupid!" »

Recent events may have pulled the curtain back on one of Hollywood's favorite bogeymen, the evil corporation. Often portrayed as unscrupulous and unfettered, it seems impossible that such a caricature could be accurate given recent events, notes R. J. MacReady.
Continue reading "That Only Happens in the Movies . . ." »
In a DVD commentary Daniel P. Crandall argues that Clint Eastwood’s latest movie, Gran Torino, illustrates how important community is to a fulfilled life.
Continue reading "Community in Gran Torino" »

Continue reading "Farrell's 'Land of the Lost' Ridicules False Scientific Consensus Claims" »

Continue reading "'Up' Success Could Bode Well for Positive Change in Hollywood" »

Prolific actor David Carradine, best known for the Kung Fu TV series, the Quentin Tarantino film Kill Bill, and a series of ads for telephone directories, has been found dead in the closet of his hotel room in Thailand, where he was about to begin participation in a new film.
Preliminary reports have the death as a suicide by hanging.
The circumstances of his death, however, should not be allowed to overshadow his accomplishments as an actor.
Continue reading "Carradine and 'Kung Fu' Retain Relevance Decades Later" »

With Transformers: Revenge of the Fallen coming out June 24th to transform all sequel numbers into colons and subtitles, you should make a point to check out Team America: World Police. Not only did it use the same colon, but it also poked fun at Hollywood's gravitation towards puppet movies before anyone realized that action movies no longer require actors.
Continue reading "The Citizen Kane of Puppet Movies" »

Continue reading "'Terminator Salvation' Delivers Action but Little Real Drama" »

Continue reading "Amusing 'Battle of the Smithsonian'" »
I know that purists will hate Guy Ritchie's forthcoming Sherlock Holmes, which recasts the great detective as a cartoonish action hero, but it looks like great fun nonetheless. Judge for yourself whether you're interested in this film by the mind behind Snatch, RocknRolla, and Lock, Stock, and Two Smoking Barrels, as the HD trailer is now available for your viewing pleasure:

On the heels of a public relations juggernaut with the inspiring message that it's "not as anti-Catholic as The Da Vinci Code!", the cinematic conspiracy thriller Angels and Demons finished first at the U.S. box office during the past weekend, providing some useful evidence about the effects of church boycotts. S. T. Karnick examines the facts.
Continue reading "'Angels and Demons' Opens Well at U.S. Box Office, but Far Short of Predecessor" »

Despite early polling data showing a distinct lack of enthusiasm toward the Star Trek movie reboot by J. J. Abrams (Lost, Alias, Cloverfield, Fringe, Felicity), the film had an excellent opening weekend at the U.S. movie box office.
Continue reading "'Star Trek,' Abrams 'Make Optimism Cool Again'" »

Yes, vampires are still a hot media commodity, but zombies are vying to knock them off the cultural pedestal.
S. T. Karnick considers the terrifying facts.
Continue reading "Zombie Culture and the March of Socialism" »
Surprising no one but pleasing audiences, X-Men Origins: Wolverine topped the weekend U.S. movie box office with a heroic opening-weekend total of $87 million in the United States and Canada and $160 million worldwide. The movie cost approximately $130 million to produce.
Wolverine led a strong first weekend of Hollywood's "summer" season of popcorn movies, with the rest of the top ten dominated by genre films such as comedies and action fare.
Last year's top-grossing film, Iron Man, brought in $98.6 million during its first weekend in U.S. and Canadian theaters.

Escape was the theme once again for U.S. moviegoers last weekend-but don't blame the audiences.
Continue reading "Studios, Filmmakers to Blame for Hollywood Dramas' Lack of Box Office Appeal" »

Continue reading "'Hannah Montana' Movie Leads the Pack" »

Providing a real Easter treat for the discerning movie watcher, Turner Classic Movies (TCM) will show Cecil B. DeMille's classic 1927 cinematic recounting of the life of Jesus Christ, King of Kings, uncut and without interruptions, tonight beginning at midnight EDT.
As I wrote about the film for National Review Online,
Continue reading "DeMille's 'King of Kings' Well Worth Watching" »
Turner Classic Movies presents a diverse variety pack of thrillers this week, Mike Gray writes.
Continue reading "Black Bird, Blonde Bombshells Featured in Upcoming Classic Thrillers" »
The movie Knowing reflects the reality that we all live by faith, and it shows us that the atheist attempt to reduce life to the material is doomed to failure. (Note: this essay includes several plot spoilers.)
Continue reading "Faith Knows What Science Can Never Understand" »

Continue reading "New Essay Refutes Fantasy of Life Without Limits" »

Continue reading "Audiences Flock to 'Monsters vs. Aliens'" »

The latest PBS Masterpiece Classics adaptation of Charles Dickens's classic novel Oliver Twist demonstrates the urgent need for reform of the taxpayer-supported broadcasting service, S. T. Karnick notes.
Continue reading "PBS Dickens Adaptation Politicizes and Vulgarizes Classic Novel" »

Continue reading "TCM Thrillers for March 31 - April 5" »

Continue reading "Cage, Catastrophe Draw Top Weekend Movie Numbers" »

Race to Witch Mountain knocked Watchmen off the top spot in movie box office receipts this past weekend. S. T. Karnick explains why.
Continue reading "Audiences Race to Disney's 'Witch Mountain', Abandon 'Watchmen'" »

Continue reading "Audiences Watching 'Watchmen', but Fewer Than Expected" »

Continue reading "Watchmen: Dark, brooding, captivating and puzzling" »

Continue reading "Reagan's Underrated Acting Ability Displayed on TCM" »

Fireproof might make some viewers uncomfortable at first, but the film has real emotional power and good sense, Mike D’Virgilio writes.
Continue reading "'Fireproof' Shows How to Avoid Preachiness, Cliches" »

Continue reading "'Big Hollywood' Relieves Academy Awards' Emetic Qualities" »

Tonight Hollywood tells us once again what we should like—and they might just get it right, S. T. Karnick observes.
Continue reading "'Slumdog Millionaire' Too Good for Oscars?" »

Warner Bros' and producer Michael Bay's remake of the influential 1980 horror film Friday the 13th significantly outperformed expectations by setting a new opening weekend box office record for a horror movie, taking in more than $42 million to finish first among U.S. audiences this past weekend.
But the best news was the continuing strength of Taken, the action thriller starring Liam Neeson, written and produced by Luc Besson, and directed by Pierre Morel.
Kathryn Jean Lopez has some nits to pick with John J. Miller's list of the Top 25 Conservative Movies of the last 25 Years — a feature for which Mr. Karnick and I were fortunate enough to be assigned reviews. (Please refrain from teasing Sam about my movie rating higher than his ... he's still quite sore about it). Also don't miss Mike D'Virgilio's take on the subject at this site, especially the inclusion of Metropolitan at No. 3.
K-Lo has some legitimate beefs, arguing strongly for the inclusion of Rocky Balboa on the list. I haven't seen that movie (yet) so I'll have to take her word for it. And she makes a compelling case:
Rocky, of course, is a man. And if you watch him from Rocky to Rocky B — you see the ups and downs and hits and misses and the heartaches. And where pop culture so often trivializes men – by making them buffoonish (the doofus dad, the over-testosteroned action hero, or feminized dude) – to have a guy who faces his responsibilities, insecurities, and trials … like a man … is something to celebrate.
I'm more interested, however, in the complete also-ran list — those movies that were strongly considered but just didn't make the Top 25.
Continue reading "The 'also-rans' of National Review's Conservative Movie List" »

S. T. Karnick's essay on the 1980 original version of Friday the 13th and the slasher genre in general is now up on National Review Online.
Click on the link in the sentence above to read the article, and feel free to leave comments here.
Are slasher films more than just exploitation? Which ones do you think have real value? Comment here.

Continue reading "Overrating Films Based on Politics—Conservative Edition" »

TAC correspondent Mike Gray has the scoop on some fine movie mysteries being shown on TV next week. Read now, watch later!
Continue reading "DVR Alert! Movie Mysteries Feb. 16-22" »

He's Just Not That Into You, a romantic comedy starring Jennifer Aniston, Ben Affleck, Scarlett Johannsen, and several other thirtysomething Hollywood luminaries, led the U.S. box office during its first weekend of release, taking in $27.5 million. That's a decent though not spectacular number, and its $7 million above what industry analysts had expected it to bring in.
Continue reading "Comedy, Suspense Remain Strong at Movie Box Office" »

Continue reading "'Brazil' Appreciation Sparks Furious Denunciation" »

Continue reading "'Last Templar' Shows Value of Cultural Freedom" »

So, we see that the desperately poor people of Patna, India are filth-throwing mad about Danny Boyle's acclaimed film "Slumdog Millionaire."
The protesters said their sensibilities had been offended by the title, which they said was abusive of people who live in slums. The protests continued for the second day, even as Republic Day was being celebrated. ...
'We will burn Danny Boyle in effigy in 56 slums here,' Tapeshwar Vishwakarma, general secretary of the group said.
I thoroughly enjoyed the film. The formerly unknown Frieda Pinto is luminous as the object of Jamal's undying affection. She performs very well considering it's her first-ever acting gig. And, since this is a Danny Boyle film, it's gritty, dirty, tragic and funny all at once — just like Trainspotting, in which Boyle gave us a glimpse into the Scottish thug/drug underbelly.
Continue reading "Burning Danny Boyle in Effigy" »

Continue reading "Downey's Oscar Nod Shows Good Sense About Racial Issues" »

Paul Blart: Mall Cop, a comedy the critics hate, is still number one at the box office.
Continue reading "'Mall Cop' Survives Critical Raspberries with Big Audience Success" »

The great Ricardo Mantalban has passed on to the great "Fantasy Island" in the sky.
Ricardo Montalban, the suave leading man who was one of the first Mexican-born actors to make it big in Hollywood and who was best known for his role as Mr. Roarke on TV's "Fantasy Island," has died. He was 88.Montalban died Wednesday morning at his Los Angeles home of complications related to old age, said his son-in-law, Gilbert Smith.
Yes. Yes. "Fantasy Island." Even I couldn't resist a reference in the lead. He and Tattoo are finally reunited. But the Montalban role that I think will go down in history is (naturally, from the picture I chose) his turn as Kahn in "Star Trek II: The Wrath of Kahn." He chewed up every bit of scenery in every take — not an easy task with William Shatner on the set. And Montalban was given great lines like this one:
Continue reading "R.I.P. Ricardo Montalban" »

At age 78, directing and appearing in what he says might be his last starring role, Clint Eastwood captured the top U.S. movie box office position with the release of his new film, Gran Torino. The film led the pack by selling $29 million worth of tickets in its first weekend of wide release.
It's a superb film, well deserving of the audience appeal it has shown so far. The Christian theme of redemption is strong throughout, and the film strongly expresses positive values without ever become maudlin or preachy. It is the best thing Eastwood has done in many years.
I will publish a review of it shortly. In the meantime, I recommend that you go and see it and post your opinions in our comments section.
—S. T. Karnick

The literary theorist and academician Stanley Fish has published his list of the ten best movies of all time.
Fish is well-known as a powerful advocate of a controversial and somewhat confused set of literary assumptions that accept some of the premises of post-structuralism while entirely contradicting that approach with his acceptance of the notion of authorial intent as defining the meaning of a text.
Fish's work is always interesting and though-provoking, though it is clear that it would be even more useful if he were to pursue more fully his differences with post-structuralism and its odious offspring, multiculturalism.
As befits his status as a controversialist and cultural agent-provocateur, Fish's list is rather eccentric but quite charmingly traditional. My list of the ten best films of all time would not include any of those on Fish's list, but his choices are largely defensible. Even more importantly, Fish's consideration and appreciation of the emotional effect films create is invigorating and constitutes a very important corrective to the two competing approaches to cultural criticism of our time, structuralism and post-structuralism.
—S. T. Karnick

The decline of the mainstream media—a very good thing—is the real story behind an interesting L. A. Times article about Ben Lyons, a film critic on the syndicated TV show At the Movies. Critics and movie buffs alike both have nothing but contempt for the 27-year-old Lyons, son of former host and newspaper film critic Jeffrey Lyons.
Jeffrey Lyons was never any great thinker, or even a good one, but Ben Lyons makes him look like Samuel Johnson by comparison. The younger Lyons strikes the viewer as an ignoramus and a jackass, and the producers of At the Movies clearly made a horrendous mistake in hiring him.
Apparently they hoped to get frat boys and other Sports Center fans to watch the show, which only further confirms major stupidity on the producers of At the Movies.
Continue reading "Internet Blamed for Idiocy of 'At the Movies' Host" »
Yes, The Dark Knight made more money in U.S. theaters than any film in history except Titanic (in nominal dollars, unadjusted for inflation), but in terms of sheer return on the investment dollar, you'd have been better off putting your cash into the teen vampire movie Twilight, the teen musical High School Musical 3: Senior Year, or Hannah Montana and Miley Cyrus: Best of Both Worlds Concert.
And you'd have been much, much smarter to invest in Kirk Cameron's small, independent, Christian film Fireproof: it cost a half-million dollars to make and brought in $33.1 million, a return of mnore than sixty times its budget.
Continue reading "Independent Christian Film Was Hollywood's Best Investment in 2008" »
American Movie Classics is marking the 35th anniversary of the release of Death Wish, the controversial and highly influential film featuring Charles Bronson as a liberal architect in New York City who becomes a vigilante after a group of thugs murder his wife and rape his daughter.
The film was highly successful with audiences, making Bronson a big star and inspiring several sequels. Critics hated it.
Continue reading "Celebrating 35th Anniversary of 'Death Wish'" »
A vivid example of the powerful changing of the American mind during just a few short years in the twentieth century can be found this week on Turner Classic Movies, as the movie channel replays two films which I pointed out in an earlier article illustrate the radical change in American elites' views of personal responsibility and moral accountability.
The films are Blind Alley, from 1939, scheduled for Wednesday at 5:30 p.m. EST, and The Dark Past, from 1948, showing at 6:45 p.m. EST, both on TCM as noted above.
I believe that a viewing of these two films after reading my article will give readers a vivid sense of the enormity of this change and the immense, deleterious consequences it brought about.—S. T. Karnick

U.S. movie box office attendance remained strong in the first weekend of the year, with Marley and Me staying at the top of the heap with a three-day take of $24.1 million. The Adam Sandler comedy "romaction" film Bedtime Stories continued to be a strong draw, finishing second with $20.3 million.
Both films have good, positive values presented in an entertaining and rather thoughtful way, and audiences are responding enthusiastically.
Rounding out the top five for the weekend were The Curious Case of Benjamin Button, Valkyrie, and Yes Man. All three boast big stars in the lead roles, and Button and Valkyrie both demonstrate that audiences will attend challenging films as long as the filmmakers attend to entertainment value and don't press unpopular left-wing political points, attacks on bourgeois normality, or cockeyed moral relativsm.
—S. T. Karnick

Vincent Van Gogh is definitely not one of my favorite painters, but I'm glad to hear that his artworks are about to be displayed in an Imax theaters documentary. This seems likely to create a greater appreciation for his works. Who know but that even I might come to like them a little more?
Unfortunately, the documentary includes some silly conceits intended to make it more interesting to ignoramuses, who will most certainly resist the lure pay the high ticket prices to see Van Gogh paintings anyway. In addition, the choice of Van Gogh appears rather trendy and asinine, meant to appeal to people's awareness of him as a disturbed genius.
Still, bringing great art to the masses in this way is quite a good thing to do.
The next step should be to present big-screen appreciations of Rembrandt, Vermeer, Michaelangelo, Titian, and the countless other great artists whose works the great majority of people will never get a chance to see in person.
Note: thanks to S. J. Perelman for the article title above.
—S. T. Karnick

Continue reading "Big Weekend at the Movies" »
Here's a brilliantly funny burlesque of twisty films noir, set at Christmas. Directed by Vincent Bal in 1996, it's in Belgian, with English subtitles, but is quite watchable and a good deal of fun. It can be purchased on DVD here.
(Thanks to The Seattle Mystery Bookshop and TAC correspondent Mike Gray for letting us know about the film.) Note: to see the film in full-screen mode, click on the rectangle at the lower right corner of the player window. Enjoy The Bloody Olive.

The new remake of The Day the Earth Stood Still is getting terrible reviews. But is there something more going on here? S. T. Karnick writes.
Continue reading "'The Day the Earth Stood Still' Opens OK at Box Office Despite Horrible Reviews" »

Continue reading "'Four Christmases' Stays Strong, Audiences Begin to Sour on 'Milk'" »

The action/sci-fi/conspiracy/you-name-it film Wanted, available on DVD and Blu-Ray starting today, shows that even mere "entertainments" often have more interesting ideas than the explicitly "thoughtful"—meaning politicized and arrogantly didactic—films that deluge U.S. audiences during the holiday season.
Continue reading "'Wanted' Has Much to Offer Beneath Sensationalistic Surface" »

Continue reading "'Four Christmases' Leads High-Performance Weekend for Hollywood Genre Films" »

Continue reading "Alleged 'Twilight' Prudishness Might Be a Good Cultural Sign" »

Continue reading "Intolerant Homosexual Activists Force Resignation of LA Film Festival Director" »

Continue reading "'Twilight' Leads at Box Office with Unexpectedly Strong Performance" »